The Myths of Creativity cover

The Myths of Creativity

The Truth About How Innovative Companies and People Generate Great Ideas

byDavid Burkus

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4.01avg rating — 365 ratings

Book Edition Details

ISBN:9781118611142
Publisher:Jossey-Bass
Publication Date:2013
Reading Time:12 minutes
Language:English
ASIN:N/A

Summary

In the bustling tapestry of corporate demands, creativity often feels like an elusive muse—fickle and reserved for the chosen few. Yet, David Burkus dismantles this myth with a refreshing lens in "The Myths of Creativity." Here lies a compelling guide that shatters age-old misconceptions, revealing that innovation is not a mystical art but a skill within everyone's reach. Burkus draws from cutting-edge research and vivid historical narratives, weaving a narrative that is both practical and inspiring. For those grappling with the daunting challenge of originality or paralyzed by the fear of failure, this book offers a liberating path to harnessing your creative potential. It's time to break free from the chains of myth and unlock the extraordinary ideas that lie dormant within us all.

Introduction

In our modern knowledge economy, creativity has become the holy grail of competitive advantage, yet we remain trapped by misconceptions that actually hinder our innovative potential. From boardrooms to classrooms, people desperately seek the secret formula for breakthrough thinking, often guided by myths that promise easy solutions but deliver disappointing results. These widespread beliefs about creativity—ranging from the notion that innovation strikes in sudden "eureka" moments to the assumption that some people are simply born creative while others are not—represent more than harmless folklore. They constitute a theoretical framework of misunderstanding that actively sabotages our creative endeavors. The reality is that creativity operates according to predictable principles rooted in psychological research and observable patterns across human history. By examining the empirical evidence behind creative processes, we can construct a more accurate model of how innovation actually works. This evidence-based approach reveals that creativity is not a mysterious gift bestowed upon a chosen few, but rather a systematic capability that can be developed, managed, and optimized through understanding its true mechanisms. The stakes of getting this right are enormous, as organizations and individuals who master the authentic drivers of creativity gain tremendous advantages in solving complex problems and generating valuable innovations.

The Creative Mythology and Eureka Fallacies

The mythology surrounding creativity begins with our fundamental misunderstanding of how creative insights actually emerge. The Eureka Myth represents one of the most pervasive misconceptions, suggesting that breakthrough ideas arrive in sudden flashes of divine inspiration, complete and ready for implementation. This narrative framework, exemplified by stories like Newton's apple or Archimedes' bath, creates an appealing but fundamentally flawed model of creative thinking. The empirical reality reveals a far more structured process. Research demonstrates that apparent moments of sudden insight actually represent the culmination of a five-stage creative process: preparation, incubation, insight, evaluation, and elaboration. The incubation stage proves particularly crucial, as the unconscious mind requires time to process information and form novel connections. Studies show that taking breaks from focused work significantly enhances creative output, with participants generating up to 40% more innovative solutions after periods of mind-wandering activities compared to continuous work sessions. Consider the development of 3M's Post-it Notes, which exemplifies this authentic creative process. Spencer Silver spent years developing what seemed like an inferior adhesive, followed by extensive incubation periods as the project remained dormant. Art Fry's insight about removable bookmarks emerged during a church service, but required further evaluation and elaboration before becoming the final product. This twelve-year journey from initial experiment to market success illustrates how genuine creativity unfolds through sustained effort and multiple iterations, rather than singular moments of inspiration. Understanding this process allows individuals and organizations to create conditions that foster genuine innovation instead of waiting for lightning to strike.

Individual Creativity: Breed and Expert Myths

The Breed Myth perpetuates the damaging notion that creativity represents an innate talent possessed by a special class of individuals, fundamentally different from ordinary people. This misconception creates artificial divisions between "creative types" and everyone else, leading organizations to segregate personnel and limit innovation potential. The myth gains apparent credibility from surface-level observations of artistic individuals who seem to embody different lifestyles and perspectives, reinforcing stereotypes about creative personality types. Scientific investigation reveals no evidence for a genetic creativity advantage or distinctive creative personality profile. Twin studies examining both identical and fraternal pairs found no significant hereditary component to creative abilities, with similarities between twins no greater than random distribution across the general population. While personality research identifies some correlations between creativity and traits like openness to experience, these patterns fail to establish any exclusive creative personality type that separates innovative individuals from their peers. Organizations that embrace this truth gain significant competitive advantages by unleashing creative potential across their entire workforce. Companies like W. L. Gore & Associates structure themselves as collaborative networks where associates self-select into project teams based on interest and contribution potential, rather than predetermined creative versus non-creative roles. This approach has generated breakthrough innovations spanning multiple industries, from Gore-Tex fabric to guitar strings, demonstrating that creativity flourishes when organizations abandon artificial divisions and recognize everyone's innovative capacity. The Expert Myth presents an equally problematic framework, suggesting that deeper expertise automatically translates to enhanced creative output. While domain knowledge provides essential raw materials for innovation, research reveals an inverted relationship between specialization and creative productivity. Most creative individuals reach peak output relatively early in their careers, before extensive expertise potentially constrains their ideation processes through fixed thinking patterns and conventional wisdom. Organizations like InnoCentive capitalize on this understanding by connecting diverse problem-solvers with challenges outside their primary expertise areas. This crowdsourcing approach consistently produces breakthrough solutions from individuals who possess sufficient knowledge to understand problems while remaining unconstrained by field-specific assumptions about impossibility. The key lies in achieving optimal cognitive distance: close enough to comprehend the challenge, yet distant enough to envision unconventional approaches that experts might immediately dismiss.

Team Dynamics: Collaboration versus Cohesion

The Lone Creator Myth romanticizes individual genius while obscuring the collaborative reality behind virtually every significant creative achievement. This misconception encourages isolation and self-reliance, preventing individuals from accessing the diverse perspectives and knowledge networks that fuel genuine innovation. Even legendary figures like Thomas Edison operated through extensive team collaborations, with the famous Menlo Park laboratory employing numerous "muckers" who contributed ideas and expertise across multiple breakthrough inventions. Research into creative teams reveals that optimal innovation emerges from carefully balanced diversity rather than either total homogeneity or complete fragmentation. Studies of Broadway musical productions identified an ideal "small-world quotient" where teams blend familiar collaborators with fresh perspectives. Productions achieving this balance generated significantly higher success rates than those dominated by either entirely new partnerships or exclusively repeated collaborations. This pattern appears across creative domains, from scientific laboratories to design firms, suggesting a universal principle for optimizing team creativity. The most innovative organizations structure themselves as dynamic networks where project teams form and reform based on specific challenges and individual expertise. Companies like Continuum deliberately rotate team membership and draw from diverse professional backgrounds, enabling cross-pollination of ideas between different industries and disciplines. This approach produced breakthrough products like the Reebok Pump by combining insights from medical devices, basketball performance needs, and manufacturing processes in ways that homogeneous expert teams might never have conceived. Paradoxically, the Cohesive Myth suggests that creative teams require harmony and consensus to produce innovative results. This misconception leads to excessive emphasis on team-building and conflict avoidance, actually diminishing creative output by preventing the productive friction that strengthens ideas through debate and refinement. Organizations falling victim to this myth create environments where harmony takes precedence over quality, resulting in mediocre solutions that satisfy everyone while inspiring no one. Empirical research demonstrates that constructive conflict significantly enhances creative performance. Teams instructed to debate and criticize ideas generate substantially more innovative solutions than groups focused on maintaining agreement and avoiding judgment. The key distinction lies between task-focused intellectual conflict that challenges ideas on their merits, versus interpersonal emotional conflict that attacks individuals rather than concepts. Creative organizations like Pixar institutionalize productive conflict through practices like "plussing," where criticism must always include constructive suggestions for improvement, maintaining psychological safety while ensuring rigorous evaluation of creative work.

Organizational Innovation: Constraints and Implementation

The Incentive Myth assumes that external rewards directly motivate creative performance, leading organizations to design bonus systems and competition structures intended to stimulate innovation. This approach fundamentally misunderstands the psychology of creative work, where intrinsic motivation proves far more powerful than extrinsic incentives. Research consistently demonstrates that commissioned artistic works receive lower quality ratings than pieces created for personal satisfaction, suggesting that external pressures can actually diminish creative output by shifting focus from the work itself to external validation. Progressive organizations have adopted alternative approaches inspired by programs like the MacArthur Fellowship, which provides unrestricted funding to individuals with demonstrated creative potential rather than specific project deliverables. Companies implementing "genius grant" principles through initiatives like Google's 20% time or 3M's bootlegging policy enable employees to pursue intrinsically motivating projects that often generate breakthrough innovations. The Post-it Note, Gmail, and numerous other successful products emerged from such autonomous exploration rather than directed development programs. The Constraints Myth perpetuates the assumption that creativity requires unlimited resources and complete freedom to flourish. This misconception causes individuals and organizations to blame lack of resources for creative failures while overlooking the innovation-enhancing power of intelligent limitations. Psychological research reveals that encountering constraints actually opens minds to more creative possibilities, with individuals facing restricted options subsequently performing 40% better on creativity assessments than those given unlimited choices. Strategic constraints provide structure that guides creative problem-solving while forcing innovative approaches to resource limitations. Companies like 37signals have built entire business models around self-imposed constraints, from pricing caps that prevent customer dependency to simplicity requirements that eliminate feature bloat. These deliberate limitations focus creative energy on developing elegant solutions rather than resource-intensive approaches, often producing more innovative results than unlimited budgets would permit. The ultimate barrier to innovation lies not in generating creative ideas but in overcoming organizational resistance to implementing them. The Mousetrap Myth suggests that good ideas automatically gain acceptance and adoption, ignoring the psychological bias against creativity that emerges during periods of uncertainty. Research demonstrates that people explicitly claim to value innovation while implicitly favoring familiar, practical solutions over novel approaches, creating systematic rejection of the very creativity organizations claim to seek. Innovative companies design systems that counteract this bias by distributing evaluation processes and creating market-like mechanisms for idea selection. Rite-Solutions developed an internal stock market where employees invest virtual currency in colleagues' ideas, removing individual decision-making bottlenecks while harnessing collective intelligence to identify promising innovations. This approach recognizes that the challenge is not generating more creative ideas but developing better systems for recognizing and implementing the breakthrough concepts that already exist.

Summary

Creativity operates not through divine inspiration or genetic gifts, but through learnable processes that organizations and individuals can systematically optimize by replacing mythology with empirically-grounded understanding. The evidence reveals creativity as a collaborative endeavor enhanced by strategic constraints, productive conflict, and intrinsic motivation, while hindered by false dichotomies between creative and non-creative people, excessive reliance on expertise, and organizational bias against genuinely innovative ideas. This research-based framework empowers anyone to cultivate creative capabilities by focusing on the authentic drivers of innovation rather than pursuing mythical shortcuts. By debunking these persistent myths and embracing the true mechanisms of creative work, we unlock the potential for sustained innovation that can address the complex challenges of our rapidly evolving world, transforming creativity from a mysterious phenomenon into a reliable competitive advantage.

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Book Cover
The Myths of Creativity

By David Burkus

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