Ken Auletta

Ken Auletta, a distinguished American journalist and author, emerged from the vibrant, diverse tapestry of Coney Island, Brooklyn. Educated in public schools, he honed his intellectual prowess at the State University College at Oswego, New York, before pursuing a Master’s degree in political science at the esteemed Maxwell School of Citizenship and Public Affairs at Syracuse University. Auletta's formidable career was significantly shaped by his insightful columns and profiles for The New Yorker, where since 1992, his Annals of Communications has provided readers with incisive analyses of the media landscape. His discerning perspectives have cemented his reputation as a leading voice in the realm of business journalism. Auletta’s literary oeuvre includes eleven compelling books, with five achieving national bestseller status. Among these, "Three Blind Mice: How the TV Networks Lost Their Way" and "Greed and Glory on Wall Street: The Fall of the House of Lehman" are heralded for their penetrating examination of media and financial institutions. "World War 3.0: Microsoft and Its Enemies" and "Googled: The End of the World As We Know It" delve into the intricate power dynamics of the technology industry, while "Frenemies: The Epic Disruption of the Advertising Industry" offers a poignant critique of modern advertising’s evolution. His works are not merely chronicles of events but are seminal explorations that unravel the complexities of corporate influence on society. Renowned for his eloquent prose and analytical depth, Auletta’s contributions extend beyond his written words. His involvement with institutions such as the New York Public Library and the Public Theatre/New York Shakespeare Festival underscores his commitment to cultural and intellectual enrichment. As a trustee and juror for prestigious awards, including the Pulitzer Prize, Auletta has continually championed journalistic integrity and excellence. Through his nuanced narratives and profound insights, Ken Auletta has indelibly enriched the discourse on media and business, establishing himself as a paragon of contemporary journalism.